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This series is quickly becoming a game of ‘Spot the genetics imagery’. Effing lighting, how does it work?
Two down, six or so to go. This will never end OTL 60s era interior design makes me want to cry.
I’ve had this image of Charles and tattoos floating around in my head for a while now. I could have put more thought into the design of the tattoo thing (as is painfully obvious haha) but I just needed it to be something with an X in it and sketch it quickly. Also, symmetry is a bitch. So is anatomy. Oh well.
Aaand anyone is welcome to prompt me things to draw. New ideas would come in handy when I’m fighting art block again.
You are not alone, Charles always says,
his fingertips a whisper across Erik’s ribs.
Erik stares up at the ceiling,
already planning how to escape Charles’ soft eyes and his soft hands and his suffocating kindness.
That’s not for you to decide.
Lovely. I love everything about this, from the composition to the chess motif to the coloring to the ethereal, sad, dream-like quality to it.
I also like that we can’t see Erik’s eyes. I’m not sure if I’m reading too much into this, but it makes me think of the way Erik is so single-mindedly obsessed with Shaw, and he can’t really look at Charles - he can’t let himself be distracted, be weak - so he looks at the ceiling instead, and is blind to all the rest.
